When ad agencies earned commissions they were profitable, independent
and marketing partners for their clients. Then, in the 1970’s consultants came
in and started cutting commissions – first network TV buying and planning, then
spot television, then, gradually all other services, even production.
The problem is fees.
There are several issues with fees, these are the same for the large,
worldwide agencies and small independents.
First, there is always an agency somewhere that will cut fees and take
the business at a lower cost. Fees, in
this way, have commoditized the business, making one agency, in the minds of
many clients, the same as any other since they are only looked at in terms of dollars.
The second issue is that money rarely takes into account the talent
working on a client’s business. Fees do
not guarantee that money paid to an agency will guarantee the best people for that particular account. Client’s demanding a lower and lower blended
rate (the aggregate of all salaries, stated on an hourly basis) have made it difficult
if not impossible for agencies to provide the best, most talented staffing on their account (that
is not to say that paying more money is a guarantee of the best talent, but it
does mean that the stars may not be affordable for the client).
And this brings up the biggest and most important issue. With fees, clients are actually in charge and
running their own agencies. It used to
be said that commissions (usually 15%) were paid to guarantee objectivity.
Agencies were able to be honest with their clients about the necessities of the
business. For those too young to
remember, commissions were paid by the media, not the client. The media billed the agency gross, and the
client paid the net (less the 15%).
Consequently, agencies tended to be objective and, when they felt it
necessary, disagree with their clients.
It also meant that the agency controlled its staffing on any particular
account, giving the account the people they deemed best and most appropriate for the business – ad agencies
could determine who could best service any particular client.
I have always understood this issue, but one day, about 15 years ago,
it came home. One of the major agencies
was about to hire a group director to run a particularly large and visible
account. As a courtesy, they sent the
person to meet the client; she already had an agreed upon compensation package
and a start date. Her meetings at the
client were pleasant and quick. After
the meetings the agency called me to tell me that they could not hire this
person – the client decided that they no longer needed anyone on their business
who was this senior. Period. End of story.
The client dictated the level and experience of the person who should be
running their business, right or wrong.
They agency disagreed but felt that they could do little about it. A year later, the agency lost the account
because the client did not feel it was getting the best work. True story.
Sadly, at most large agencies, the job of the group director is to keep
the dollars in line and insure that the agency is adhering to the client’s
financial guidelines and dictates. It is why agencies no longer spend enough
time visiting their clients and walking the halls, or making necessary market
visits (store checks) or calling on merchandise managers with their senior
clients.
This means that in every aspect, including creative, the client is now
in charge of its own business. Despite
the strength of some agencies, it makes it extremely difficult for any company
to tell its master that the master is making a mistake.
In essence, fees have made many agencies into in-house agencies. Pity. The big loser is the client.